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October 4, 2019
Over the last several weeks, we have read theoretical manifestos by Comolli and Narboni and Laura Mulvey. Now is your chance to write your own theoretically-informed treatise. Your manifesto should reflect an engagement with course content (concepts, terms, arguments, and so on), but should also mirror the form of a theoretical manifesto of the type we have read and discussed. Try, then, to think of not just what you will […]
October 4, 2019
You should analyze the film and construct an original argument through one of the following methods: 1. Historical analysis: How does this film exemplify, challenge, or complicate a particular historical trend? This can be related to the ideological, cultural, or even technological. 2. National context: How does this film represent various cultural or ideological elements of its chosen nation? OR: how has the film been constructed or produced with the […]
October 4, 2019
This assignment should approach Canadian cinema from the viewpoint of a critical analysis of one or more of the historical, political, cultural, conceptual and/or theoretical aspects of cinema as discussed in the course. The topic may be in any era (pre- or post-WW II). This will usually take the form of a compare-and-contrast, which will consider the similarities and differences between two or more aspects of the cinematic culture. Suggested […]
October 4, 2019
READ Chapter 22 and then complete a summary of the chapter following these guidelines: The summary will be one page, single-spaced in 12-point Times font, with one-inch margins. Failure to adhere to these formatting specifications (i.e., half page, incorrect font, 2-inch margins, etc.) will result in a ZERO for the assignment The summary will address at a minimum: 1) What are the “major” arguments/ideas presented in the reading? 2) How […]