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Compare and contrast the representation of the double in films, Meshes of the Afternoon (Deren, 1943) and Vertigo (Hitchcock, 1958).


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The discussion will include perception, otherness, subjectivity, with reference to duplicated females / displaced femininity useful readings 1) http://www.screeningthepast.com/2015/01/hitchcock-fabrics/ 2) http://sensesofcinema.com/2002/great-directors/deren-2/ 3) Clark, Vèvè A, Millicent Hodson, Catrina Neiman, Francine Bailey Price, Hollis Melton. 1984. The Legend of Maya Deren : a documentary biography and collected works. New York: Anthology Film Archives/Film Culture. 4) McPherson, Bruce R. (ed). 2005. Essential Deren: Collected Writings on Film. Kingston, New York: Documentext. 5) Nichols, B., Deren, Maya, & Nichols, William J. (2001). Maya Deren and the American avant-garde. Berkeley ; London: University of California Press. 6) Rhodes, John David. 2011. Meshes of the Afternoon, Basingstoke: Palgrave Macmillan, BFI Classics.


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